Who Knows Where the Time Goes?

The new Greil Marcus book arrived in the mail yesterday, and I love it.

Greil

 

I love its boldly-colored, comic book-style cover illustration of Marcus, its hefty 586 pages, its exhaustive, nerdalicious index, its endless lists.

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[It’s a compilation of Marcus’ “Real Life Top Ten” lists, which he began posting, as somewhat-but-not-entirely Zeitgeisty missives, in February 1986 in the Village Voice, which is where I first found it in college in the late 80sThe column continues to this day in the Barnes & Noble Review, but the book ends at September 2014. While much of his listy focus is on music (not necessarily current, either), Marcus’ RLRTTs also encompass film, books/articles, toys – whatever was bouncing around on Planet Greil at the time.]

Having a book such as this – so appealing to me! In so many ways! – arrive during the work day made for a confusing tug-of-war. It was in my mailbox when I arrived at my office in the morning. I tore open the box, flung the cardboard aside, held the book in both hands, and sighed. (I’m not kidding.) It was 8:30 AM. I had a lot to do. I put the book down.

Greil’s face stared me down from the cover. I decided to allow myself to savor one list: the first list in the book, dated February 18, 1986. By the time I got to #2, (Billy Ocean’s “When the Going Gets Tough, the Tough Get Going”), I realized I could probably make a streaming playlist of at least the songs on the list (and additional playlists for all the subsequent lists) and listen to that while I worked. 6 of the 7 songs on the list were available; the other 3 items on the list included a toy (Godzilla), an article (about Little Richard), and a book (about Bascom Lamar Lunsford).

I went ahead and made the playlist (including the Billy Ocean song, because obviously each list must be “consumed” as fully as possible). I wondered if I should start looking up the article and the book (as well as track down the missing song, a Bette Midler cut from the Down & Out in Beverly Hills soundtrack), and it occurred to me that dealing with this book properly could be its own full-time job. I stashed it in my bag and grudgingly started answering email.

In February 1986, I was a high school senior in Minnesota; I was a princess, an athlete, a criminal, a brain, and a basket case. I’d applied to colleges, but hadn’t heard from them yet. I devoured my friend Laura’s treasured copies of Maximum Rocknroll whenever possible, listened to KFAI late at night, and knew, with absolute certainty, that there was way more out there than what I was reading/watching/hearing/doing, and that I was going to find it. All of it.

Meanwhile, Greil Marcus was starting his compilations – his written cultural mix tapes – which would eventually be compiled into its own giant compilation: this book, which I’m going to work my way through, playlist by playlist, library search by library search.

Why? Why not? There’s so much I’ve missed.

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